is a composer, sound and visual artist based in Madrid.
What you are now reading is an artist statement where I have to talk about myself in the third person.
The artist statements and biographies are a jail, don´t be a prisoner.
The latest version of myself and my work is on the projects below
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   Projects ︎






    Discography ︎









    I’ve been performing live shows and exhibiting projects in ︎
⬀ Espacio Fundación Telefónica
⬀ Circulo de Bellas Artes Madrid
⬀ Media Lab Prado Madrid
⬀ Tabakalera Donosti
⬀ SEMINCI Valladolid
Museo de la Memoria Montevideo
Heritage Space Hanoi
⬀ Meta House Phnom Penh
Sonic Dreams Festival Ireland
Wos Festival Santiago
Intramurs Valencia
Taipei Comunnity Radio
Teatro Réplika
⬀ La Pascasia Medellin
⬀ MOUTOU Kuala Lumpur

Social Media ︎
Instagram
Bandcamp
Soundcloud

If you still need a complete CV click SPANISH or ENGLISH

For booking mail HERE
Mark
TTIG

Digital

Self-edited
Year: 2015







(EN)       In November 2014 NegrøNegrø release TTIG (The Thrill isn't Gone), the first mini-EP self-published by the artist. After two maxis who experimented with sounds close to electronic blues, boleros and roots music with distortion, he works on this time with electronic music and various sounds of Jazz.

The experimentation with voices is different from the previous works, combining this time samples with recorded voice. Voice and lyrics are one more instrument in songs;  Are an element that is placed at the same height as the saxophones or synthesizers, modifying the piece, and this last one being the protagonist.



(SP)        En Noviembre de 2014 NegrøNegrø autoedita TTIS (The Thrill isn’t gone), el primer mini-EP autoeditado por el artista. Tras dos maxis que experimentaban con sonidos cercanos al blues electrónico, los boleros y músicas de raíz con distorsión, NN profundiza en esta ocasión en la electrónica y diversos sonidos del Jazz.

La experimentación con voces es distinta a los trabajos anteriores, combinando esta vez samples con voz grabada. Así, la voz y las letras funcionan como un instrumento más en las canciones; como un elemento que se sitúa a la misma altura que los saxofones o sintetizadores, modificando al conjunto, y resultando éste último el protagonista.



Mark